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Boss DR-5 Dr. Rhythm. +. Boss DR-5 Dr. Rhythm. DR-5 Dr. Rhythm, Drum Machine from Boss in the DR series. This product is no longer manufactured. The Boss DR-5 drum machine has an average rating of out of 5.(The Boss DR-5 drum machine has a total of 57 reviews). This unit is definitely a hidden treasure. If you’re a guitarist or bass player looking for a box to control percussion and any other midi gear this is a great option.

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Stay up to date with Roland news, artists, promotions, events, and more. Have your product questions answered by a Roland product specialist or browse previously answered questions about Roland products. Register your product and stay up to date with the latest warranty information. At the time, Kakehashi was a young inventor with a passion for electronics, experimentation and music. Over the years, he tried his hand at creating various electronic instruments — from organs and guitar amplifiers, to the Theremin and the Ondes Martenot.

Kakehashi then began to develop his own version of a rhythmic accompaniment for organ players of the time. The rest is history….

User reviews: Boss DR-5 Dr. Rhythm – Audiofanzine

It had no preset patterns but instead sounded individual percussion hits when the buttons were pressed. This made it quite useless for an organist, who was the most likely customer at the time of its release.

It was debuted at the Summer NAMM Show inand while it failed to be commercialized, it did lay the foundations for future designs.

This produced rows of pulses that would determine the sound-making position of each instrument in the machine. This culminated in the FR-1 rhythm machine. It hosted 16 preset patterns and four buttons to manually play each instrument voice, which included cymbal, claves, cowbell and bass drum.

The rhythm patterns could be combined by pressing multiple rhythm buttons simultaneously, providing over possible rhythm combinations. So popular was the design, it was later adopted by the Hammond Organ Company, who began to incorporate the FR-1 presets into their latest organ models.

Boss Dr-5 Dr5 “dr Rhythm Section”

This newer release was a slim-line design, made to sit atop of an organ. It bpss missing the Bass Drum and Cowbell cancelling buttons of its predecessor, but now featured a cancel button for the Cymbal, Clave and Snare voices. All other controls were identical, and appeared in reverse order on the FR-2L. It offered 16 rhythms, with the ability to combine multiple patterns.

Combining patterns expanded the FR-2D to over available preset pattern combinations. Rhythm Ace FR-3 Boes machine came with 8 different preset sounds, boas buttons for the 2-beat and 4-beat variations. It also vr5 individual controls for balance, volume, variation and tempo. It offered the usual balance, volume and tempo controls, alongside a Selector switch for moving between rhythms.

Rhythm Ace FR-4 This device featured 20 presets, from waltz, ballad, cha-cha, beguine, bossa nova, haba-nera and more. The preset rhythms had 2-beat and 4-beat variations, with certain beats accenting different sounds. Combining rhythm patterns gave the user more variation and flexibility. It also offered a balance control, which adjusted the balance between bass drum and cymbal sounds.

The main panel featured individual controls for volume, balance, tempo and variations.

It was rebranded and sold by Multivox. Rhythm Ace FR-7L This preset rhythm machine came with a variety of presets and featured dedicated controls for volume, balance and tempo. Bos also offered 2 variation presets which hosted 6 modes in each, making it a rather flexible machine for its time.


It came with 8 preset rhythms, alongside 10 Latin rhythms, with additional combinations. It also featured a metronome, fade time and tempo cr5. It had individual volume control for its sounds, which provided the user with more control over the drum mix. On April 18Ikutaro Kakehashi founded Roland Corporation, continuing his legacy of innovation in the field of electronic musical instrument design.

He would go on to develop some of the most forward thinking, inspirational and acclaimed electronic instruments ever made, shaping the course of music history. It allowed users to merge patterns, had independent volume controls for each instrument, a fade out feature, and 2-beat and 4-beat pattern variations.

Designed with organists in mind, it was taken on by Hammond and is now also widely known as the Hammond Rhythm Unit. All machines in this series were made using analog voice circuits, with the TR standing for Transistor Rhythm. Using analog voice circuits to create its sounds, the TR offered approximately 20 preset rhythms. It also featured a balance knob that allowed the user to mute certain drum sounds, allowing for the possibility of more rhythmic variations.

TR Rhythm An extremely rare member of the TR family, this machine featured an inbuilt amplifier and speaker. It also offered a metronome, volume and tempo controls, as well as individual balance faders for Bass Drum, Snare Drum, Cymbals and Claves. TR Rhythm This was one of the the first rhythm machines to be housed in the wooden box-style that xr5 come to characterize the Roland drum machines of the later s.

It offered eight analog drum sounds with volume and balance controls. The balance control was capable of completely muting either the hi-hats or bass drum. It also featured a bods in amplifier and speaker. TR Rhythm Arranger The TR took pure analog sounds and arranged them into 18 different drum patterns, from rock, swing, march and dance styles. These patterns could then be mixed with the 9 additional stylized rhythm patterns — from Waltz, Cha-Cha, Bossa Nova, Rumba and more. It featured 34 different preset rhythms — 17 buttons with an AB toggle switch.

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It also included controls for volume, tempo, accent and balance, though it lacked the ability to program your own patterns. Although it was limited only to its preset patterns, it was a great sounding, much cheaper alternative to the CR It featured the same sounds and rhythms as the other CR machines, with the addition of a floor speaker cabinet.

Although it was not programmable like the CR is, it offered xr5 greater amount of variations than the CR The built-in sounds were a development on the sounds of the earlier Roland TR machines. This classic analog rhythm machine was the first of its kind to use integrated circuits — an important development in the history of drum bboss.

This allowed for the introduction rr5 a Programmer sect ion, which provided 4 programmable memory locations for pattern storage.

All user reviews for the Boss DR-5 Dr. Rhythm

Now users could program and store their own drum patterns, as well as adjust tempo, accents, and fade ins and outs. Individual mute controls for each of the four voices were featured on the front panel, allowing the user to create breakdowns. It featured only four sounds including Kick, Snare, Rim shot and Hi-Hat, and offered step-mode programming — a simple but effective method of writing in patterns.

The play button was used to place the sound and the Stop button was used to step through the beat. It was one of the first programmable drum machines that was affordable to home musicians and had a significant impact on the musical landscape of the time. TR Rhythm Composer Futuristic in sound and design, it was initially released at a time when the digital recreation of real drum sounds was highly favoured over analog devices.


As time passed, its affordable cost and unique analog sound made it popular in hip-hop and dance music styles. Its impact on the sound and development of these genres is undeniable. With its characteristic bass drum, which was able to boes very low frequencies, and its distinctive cowbells, the sound of the TR was unmistakable. Used on more hit records than any other drum machine ddr5 history, it has come to be one of the most recognizable and celebrated drum machines ever.

None of the sounds were editable and there was only one mono audio output. With 9 sounds and 24 presets, it offered a Shuffle mode to randomize patterns, as well as an Accent knob for volume variation within the patterns.

The Vr5 button switched between Arranger and Preset settings, while the Crash button enabled the end of bar Crash cymbal sound.

TR Drumatix Featuring 7 analog voices, this machine could store up to 32 patterns and 8 songs. This made it useful for both studio work and live performance. Portable and affordable, it was originally intended to be used alongside the TB, boss via DIN-sync. The introduction of an LCD graphic display supported a step grid for programming various drum parts. It allowed for drum sounds to be manually played from rubber pads, as well as the traditional method of programming beats.

Other features include a globally variable accent knob, continuously variable Tempo and a V-trig clock pulse output to allow slave units to sync to the accent section.

It was also used alongside the PR Fully programmable, the sequencer section was incredibly powerful, allowing the user dr chain 96 patterns into songs of up to measures.

The analog circuitry allowed for sounds with tweakable attack, tone, tuning, snap and accent parameters.

The sound was synthetic compared to its more expensive, digital sample-based counterparts, which were superior in reproducing real drum sounds. Over time however, this futuristic sound, coupled with its affordability, saw it reach new heights as an integral part of the techno movement during the s.

TR Rhythm Composer Featuring 15 digital sounds, sampled at 12 bits, the TR hosted 64 programmable patterns that can be sequenced together to form 4 different songs. It offers external synchronization with MIDI and DIN sync, four levels of shuffle that operate globally, and a flam that could be applied to any step. There were also individual volume sliders for each instrument group, which was not common in digital drum machine designs. Its fresh sound and affordability made it a staple in early house and acid house music.

It had individual outputs and sliders, a shuffle and flam effect, Matrix display and an in-depth programming section. It also offered real-time and step recordings modes. These devices were primarily for programming rhythms and did not provide the user with sound editing possibilities. Rd5, standing for Acoustic, represents the acoustic drum kit samples the device hosts.

It featured the Matrix Display, alongside 12 pads with 11 corresponding drum sounds. The settings functions were accessed through the twelfth pad. Compact and affordable, these catered towards bosa budget studios and home musicians of the time. The overall design is exactly the same, the only aesthetic difference being the lighter colour. The DRE featured 32 preset rhythms and an additional 32 rhythms in the user manual. It is widely noted for hosting very similar sounds to the Simmons SDS-V, one of the first electronic drum kits to be released.